Jyn’s idealistic Jedi-ish tendencies are at first checked by a hint of Bogart-esque cynicism. Not at all ambiguous is Ben Mendelsohn’s Orson Krennic, a marvel of sneering, vainglorious villainy in an impeccable white uniform, complete with a cape that billows behind him when he strides down a starship catwalk. She plays Jyn Erso, the daughter of Galen Erso (Mads Mikkelsen), a scientist whose allegiances are a little ambiguous.

Felicity Jones is a fine addition to the “Star Wars” tradition of tough-minded, quick-thinking heroines. The spoiler warning sent by the Disney empire instructed journalists to “continue to be our partners on this journey,” and defiance is unthinkable, even if “partner” is taken as a synonym for “shill.” It’s so much easier to obey than to resist.

Millions of people will sit through this thoroughly mediocre movie (directed with basic competence by Gareth Edwards from a surprisingly hackish script by Chris Weitz and Tony Gilroy) and convince themselves that it’s perfectly delightful. Whether that is enough - whether the fractures in the Rebel Alliance and the power struggles in the imperial ranks quicken our pulses and engage our emotions - is the big question, but it really isn’t a question at all. The very last shot tells us exactly where we are, and why we should have cared about everything we just saw. There are scattered hints early on, and later appearances by familiar characters that elicit chuckles of recognition from fans. The great mystery of “ Rogue One” - the big payoff, the thing people like me would be pilloried for divulging, the puzzle you will congratulate yourself for solving - is where it fits in with the rest of the “Star Wars” cycle.

Rogue One: A Star Wars Story free